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Holotropic
Artwork
"Sometimes,
when one paints with love and devotion, the Grace comes. There's
a feeling of great-stillness and focus sharpens to pin-point
clarity. The paint on the brush vibrates with its own life force.
There's a tremendous awareness of the layering of seen and unseen
worlds of existence."
- Dee Cooper Swift
This reclusive
painter began her long career as a student of Byzantine art,
and for many years concentrated on iconographic techniques working
with tempera, gold leaf and gesso. She has now been a meditator
for almost three decades and in the early 1980's spent a number
of years in Kashmir, India, painting and following a spiritual
quest.
Today, Dee
Cooper Swift's colourful canvasses reflect the creative and
spiritual paths she has chosen to walk. The power of plants
and the glorification of the earth mother are key motifs, as
are the angels, the dolphins... and the 'watchers' who are always
with us.
In recent
years, a limited number of her works, including the 'Flow of
Chi' triptych, 'Gifts of the Earth Goddess' and 'The Virgin
Forest' have been chosen by Holotropic, the
makers of quality botanical health products, to represent the
beneficient energies of nature.
Artprints
are each hand signed and executed to the artist's specifications.
They are reproduced on 300g powder coated paper, using high quality
pigments.
Available in |
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Artprint size A3 (29.7cm x 42cm) |
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Artprint size A4 (21cm x 29.7cm) |
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Artprint size A5 (14.8cm x 21cm) |
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Click
on images to enlarge |
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Awesome
Radiance of Moonwashed Snow
Everything
is frozen in the stillness of time; the stark, dark tree
trunks imprison the nocturnal journeyings of the dreaming
village.
Suddenly
the shadows shift. An owl ghosts across the moon and, belly
low, the glistening pelted fox brushes Japanese calligraphy
across the landscape.
Size:
66 X 48
Medium: Oil on Canvas
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Flow
of the Chi (3 seperate artworks see below)
The
three 1978 paintings that comprise the "Flow of the
Chi" triptych, have been included in the gallery, simply
because they demonstrate the uncanny power of the creative
process to show us the goals that await us decades into
the future. |
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Flow
of the Chi, The Flower Phoenix
The phoenix is the motif of death and rebirth, by fire.
My phoenix relates to the Egyptian ibis-headed god Thoth
- the bird from the transcendent principle. His flowered
plumes are a love gift from a heavenly animal.
Size:
82 X 25.5
Medium: Oil on Canvas
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Flow
of the Chi,
The Crystal Goddess
At
the time of painting this triptych, I was looking for something…
but didn't know what. Today, as I look at these images,
I am amazed at how blind the mind can be to such a psychic
floorshow.
As
I look at the paintings, I see it was all right there from
the start.
The
great Swiss psychologist Carl Jung used to draw a mandala
every morning. It's a useful way of seeing how things are
on the inside.
Size:
82 X 25.5
Medium: Oil on Canvas
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Flow
of the Chi, The Flower Dragon
The
dragon is a composite transcendent symbol of the snake and
the bird. It marks the movement of the lower transcendence
from underworld snake-consciousness through early reality
to attain the transcendence of winged flight.
Although
the dragon's wings are strewn with ancient Parsi carnations,
he's powerful and uncompromising.
Size:
82 X 25.5
Medium: Oil on Canvas
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Delhi
Station
India
has a population of over a billion people, and the multitude
travel by train. Delhi Station is a vast, seething vortex
of heat, noise, anxiety, drama and excitement.
The
platforms are gritty with soot, overlaid with the ruby-red
salivations of the betel nut chewers. In-between the hustle
and bustle, babies are born, gipsy women cook rice, men
play cards and vendors hawk Krishna pictures. In the time
it took to do a fast sketch, all the people melted away
to give place to a trainload of wild-eyed pilgrims complete
with drums and tambourines.
Size:
122 X 90
Medium: Oil on Canvas
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Deny
Not Heaven, It Is Yours Today
I fell
asleep one night in 1995 while studying the third manual
of "A Course in Miracles" and dreamed of this
painting. When I awoke, I felt so filled with gratitude
to God for the sense of peace and joyfulness that attended
the words of the glorious promise held by angels in strawberry
pink retro evening gowns - very Balmain.
Gratitude
to God is the way He is remembered, for love is never distant
from a grateful heart.
Size:
36 X 26
Medium: Oil on Canvas
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Gifts
of the Earth Goddess
She
is Ganeshwar, the elephant god in female form, heavy with
child, breasts patterned with bridal henna, carrying the
fruits of the gods. Dolphins play, the moon is crazed and
the dove of the annunciation descends on the virgin.
This
is something of a watershed work, and marks a realisation
of the liberating power and healing inherent in the female
principle.
Size:
83 X 63
Medium: Oil on Canvas
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Garden
of Heavenly Delights
She
is as tall as the trees and as serene as a mountain lake.
In flowing embroidered robes, the Crown of Heaven above
her head, her sole focus is upon the miniature being in
her embrace.
And
the lilies and roses, the larkspurs fill the world with
fragrance and colour as faint as ecstacy they lean towards
the Heavenly Mother.
Size:
100 X 61
Medium: Oil on Canvas
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Ghosts,
Dreams and Roses
There's
a lot of heartache in this picture, but a lot of hope too.
I was sitting in the dark, looking at a jug of roses - lit
by just a little moonlight.
It was
like an analogy of life. Some are budding, strong. Vigorous…
others are full-blown, heavy with perfume… and others
have become ghost roses.
What
happens to the colour and the perfume ? And what about the
dreams of roses ? And the heaven of roses ? And the God
?
Size:
74 X 71
Medium: Oil on Canvas
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Madonna
and Child
After
the Nicopaeia Virgin in the Basilica of San Marco, Venice.
I was captivated by the knowing innocence of the original,
the sad resignation, the absence of being - all the hundred
and one emotions we attempt to read into that inward-turning
gaze.
Nevertheless,
the gold shimmers with freshly minted fervour, the dusty
jewels smoulder and the eyes prickle for reasons of their
own while the heart leaps cartwheels with dizzy elation.
Size:
39 X 30
Medium: Tempera and Oil with gold leaf
on gesso.
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The
Dancing Bridge
The
transition between different levels of existence is no big
deal crash-bang moment. Rather, it is a gentle, completely
natural process that is happening all the time.
Even
when we are most physically vibrant, even then, the being
within the chrysalis touches the dreaming self.
The
Dancing Bridge is a moment in time when the barricades go
down, the blindfolds fall away and everything that ever
was, or will be, comes together in a whirling, shimmering
celebration of joy and love, love and joy.
Size:
60 X 91
Medium: Oil on Canvas
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Shaman
Dreams
The
theme is faith across all time and through all worlds. Upon
the ruins of centuries and civilisations, carnage and destruction,
Life continuously presents us with miraculous new beginnings.
The
phoenix and the egg. Dragon circle. Faith and hope. In my
end is my beginning.
Size:
90 X 61
Medium: Oil on Canvas
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Unknown
Territory
Imagination
walks the wired nerve webs that link the blood-red hibiscus
ganglia. Jumping off in my own thesaurus of imagery, I plunge
through dizzying theatrical landscapes, peopled by pantheon
of gods and demons... all the creatures of myth and legend…
All the nightingale roses… all the hundred year briars.
Here's the April of Elliot and Chaucer, the Fire Bird and
the Swan of Tuanella. The painting is but the echo of an
echo of a half-remembered dream.
Size:
74 X 47
Medium: Oil on Canvas
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The
Bride
On the
fondament in front of the church of San Giorgio. The bride
steps away from the wedding party to pose for the photographer.
It is
a blustery day in June and the skittish wind dances tarantellas
with her gown and whisks the veil high into the sky. As
the bridal bouquet begins to disintegrate the carnival spirits
of la Serenissima enter the moment."
Size:
71 X 74
Medium: Oil on Canvas
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The
Famous Queens - Esther
QUEEN
ESTHER. Another woman of immense character and courage.
The painting was inspired by a Victorian stained glass window.
This queen of the old testament was the wife of Ahesuerus
(Artaxerxes), King of Persia, 485 - 465 BC. Largely due
to his wife's intervention, the King was moved to use his
power to prevent the massacre of the Jews.
To achieve
something of the luminosity associated with this medium,
special glazes were used, sometimes as many as seventeen
transparent films of varying tones were applied to achieve
the required depth and intensity of colour.
Size:
177 X 57
Medium: Oil on Canvas
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The
Famous Queens - Sheba
THE
QUEEN OF SHEBA. The country of Sheba or Saba, whose name
means Host of Heaven, was Abyssinia, located on the eastern
tip of the Red Sea.
It
was a wealthy country, rich in gold and precious stones.
But more importantly, it was the centre of astronomical
learning. Although little is known of the Queen of Sheba,
who travelled to the Court of King Solomon in Jerusalem,
she must have been a woman of great character and courage,
highly intelligent and with a commanding presence.
Size:
177 X 57
Medium: Oil on Canvas
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Unicorn
Quest
There
are the Seekers in the sky and the Witnesses on the hill.
There is an offering of transcendental fruits and a white
peacock. There is also a masked virgin, kites, flowers,
nerve wires in the sky.
Thousands
of eyes, in the peacock feathers and flurries of leaves,
everywhere. This picture is actually a chart of a search
and a finding.
Size:
92 X 61
Medium: Oil on Canvas
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The
Virgin Forest
Three
carefree young girls have come through the forest to draw
water at the river. Soft, caressing breezes ruffle the leaves,
sweet bird calls and the heavy fragrance of jungle blooms
lull the senses. The world is a beautiful place. What the
maidens don't see, but the viewer does is the hunting Leopard
hidden in dappled sun shadows and the impassive spirit gatherer."
Size:
122 X 92
Medium: Oil on Canvas
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The
Persian, The Moon and The Rose
His
name was Pushkin, the most beautiful, most aristocratic
pure-bred white Persian. And the most telepathic. One New
Year's Eve I saw him sitting outside the kitchen window
in line with the moon and the rose. While I was getting
the preliminary painting on canvas, I was silently begging
him not to move.
And
he didn't, he just sat there for close on an hour and a
half. I've always been fond of this painting, and grateful
that I was there to see the magic.
Size:
61 X 51
Medium: Oil on Canvas
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The
Light in the Forest
Near
the start of the ornamental canal, on the outskirts of Munich,
is a pillared rotunda screened by iron filigree-work.
Peer
through the arabesques, and there in the half-light he stands
- the great bronze statue of the 'Golden Hind'. The enormous
antlers are scrolled parentheses for the dominant cross
between them.
Of course,
I'd read about the holy stag before, but coming upon such
a powerful image, so totally unexpectedly, shot it into
subcon forever.
Size:
74 X 61
Medium: Oil on Canvas
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The
Hothouse
Off
the east coast of Madagascar lies the small island of lle
St.Marie. Close to the shore stands the charred ruin of
a once elegant large French villa. Who knows what happened
? Who the inhabitants were ? Now, the vines and tropical
plants have taken over the shell.
Long-
legged roosters strut the crossbeams, large eyed lemurs
peer through veils on morning glory… and the ashen
scent of juju perfumes the breezes with musk orchids and
mystery.
Size:
90 X 60
Medium: Oil on Canvas
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The
Healing
Latitude
8 deg. N, Longitude 52 deg. E. where the whales live, the
dolphins play and the angels sing "La Nave Blu".
Here all is freedom, innocence and joy as ocean creatures
and sea spirits celebrate God's sacred gift of wholeness.
Size:
83 X 63
Medium: Oil on Canvas
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The
Healer
A 14th
century healer brings the sick merchant peonies to cure
him of epilepsy. Ref. Trinity College Cambridge. The rich
middle-eastern merchant waits with hope beneath a wonderously
worked covering. The bearer of the peonies comes from another
place in answer to the merchant's prayers. He is accompanied
by spirit energies, seen in various light forms, sometimes
even as flowers.
You
ask, do I believe that the merchant was healed ? When the
process has evolved to this advanced stage, and the psychic
powers of nature are positively involved… I would
say that the desired outcome is inevitable.
Size:
61 X 80
Medium: Oil on Canvas
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The
Lady and the Lion
A young
Alexandrian prostitute who in the 5th century came to be
known as St.Mary of Egypt. She had been inspired by an icon
of the Blessed Virgin to become a hermit in the desert.
Here
she lived for the rest of her lifetime. Her only companion
was a little desert lion. A few years prior to her death,
a monk named Zosim encountered her in the desert. The next
time he went to look for Mary, he found her dead body, which
the sorrowing lion helped him bury. This story is commemorated
in the 13th century stained glass windows in Chartres, Bourges
and Auxerre.
Size:
61 X 30
Medium: Painted and gilded woodcarving
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Sabzi
Mandi, Kishanger
In late
summer the gritty hot wind from the Rajhastani desert makes
mirages of the solid world, and rings the nostrils with
ancient bone-dust.
The
vegetable market at Kishanghar is even more highwired than
usual. There's a heady mix of smells: incense, spices, rotting
vegetation and ordure. A great babble of noise, barter in
many dialects, shrieking Hindi pop songs, and the screams
of the goats being butchered in a dry ditch.
Size:
62 X 39
Medium: Oil on Canvas
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The
Laughing Dolphins
It
is surprising how often dolphins manifest in my work. I
can be doing serious classical stuff - and next thing, these
larky characters are frolicking around in halos and cherub
wings. Not that I mind. Their joyfulness of spirit has rescued
and borne me safe to shore more times than I can remember.’
Ever
since scientist Dr John Lilly began his dolphin research
project on human/dolphin communication in the ‘seventies,
this painter has grown to accept that these amazing creatures
have become absorbed into her psyche – as living,
breathing holographs of the state of consciousness that
links to love, compassion and bliss.
Size:
85 x 53
Medium: Original acrylics on canvas
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Madonna
and the Angels
Embarking
upon a work such as this was a bit of an indulgence. But
I wanted to know what it would feel like for a contemporary
painter to contemplate Holiness in close-up, continuously
for the entire length of time it would take to complete
the picture.
Well,
I can tell you this, just start painting angels and you’ll
never need Prozac. They are the most utterly calming, comforting
and uplifting of images to dwell upon. As one works there
is an awareness of an almost tangible flow of love moving
from the heart, through the arm, down the brush and onto
the canvas. Such a pity that the hard-edged world of ours
has been stripped of such miraculous icons of healing grace
and beauty.
Size:
59 x 40
Medium: Original oil on canvas
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The
Rainbow Dolphins
Once again this
painter has just enjoyed another stunning vacation. This
time out in the ocean, under the waves with a bunch of the
jolliest, most colourful friends imaginable. There was much
dancing about in the great hula-hulaing kelp forests and
larking about with the often dizzy, but dazzling inhabitants.
If my picture conveys joy, love, and lightness-of-heart
I am content. There is much to be received by just sitting
quietly and gently contemplating these potent manifestations
of a divine life force that is at once entirely loving and
utterly benevolent.
We know
that the therapeutic powers of dolphins have been widely
researched and there is much evidence of how autistic children
and others with physical and emotional problems have been
helped by them. We also know, in our heart of hearts, that
these friendly angels of the sea carry subtle gifts for
us - gifts of vibrant wholeness and joyous well-being.
Size:
90 x 75
Medium: Original acrylic on canvas
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